"Jon Bare is an interesting and quite
informative dude. I always learn something from him. He
writes something -- I can't wait to read it!"
-- Chet
McCracken, drummer - the Doobie Brothers. |
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"I've had the pleasure of working with Jon for
several years, over which time his contributions to Recording magazine have consistently been among the very most
popular with our readers. Jon has a unique, lucid, and entertaining way of imparting his
considerable knowledge. I always look forward to getting his articles in. Plus the dude shreds." --
Nick Batzdorf, Editor - Recording
magazine |
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-- List of Articles by Jon Bare --
1) Fade Out: Pay-To-Play
2) Jon Bare / Killer Whales
Interview
3) How To Record A Great
Album
4) How To Mix A Great
Album
5) Marketing A Great
Album
6) Starting A Great
Record Company
7) Mackie 24.4 Mixer Review
8) Otari DAT Review
9) Rolls/Bellari Tube DI & Mic Pre
Review
10) Roland VG-8 Guitar Controller Review
11) Ensoniq DP/4+ and DP/2 Review
12) Using Effects Effectively
13) Yamaha RM-800 Mixer Review
14) Oscilloscopes
15) Distributing A Great
Album
16) 10 Things To Avoid At Your Next Live
Recording
17) Digitech Studio Quad Effects Review
18) A.R.T Effects Network Review
19) Publicizing A Great
Album
20) Digitech Studio 400 Effects Review
21) Recording The Guitar / Carl Verheyen
Interview
22) Building A Great
Studio
23) Producing a Great
Song
24) Guitar Problems & Solutions
25) Making The Great
Rock Video
26) Manufacturing a Great
CD
27) Line 6 Ax212 Review
28) Walter Trout interview
29) Getting Great
Radio Airplay
30) The Great
CD Demo
31) Caring For and Feeding The Great
Tape Deck
32) Building The Great
Guitar Splitter
33) Building The Great
Fuzz Box
34) Recording The Great
Horn Section
35) Making The Great
Mistake
36) Building The Great
Phase Phlogger
37) Building The Great
Robot
38) Mastering The Great
Album
39) Fade Out: Wherein Lies
Success?
40) Recording a Live Band in the
Studio
41) Making More Great
Mistakes
42) Recording Great
Drums (The Hard Way)
43) Killing The Buzz...
44) Fade Out: It's Like the Sixties All Over
Again
45) Transferring Great
Drums (The Hard Way)
46) Miking Electric Guitars
47) Recording The Steel Guitar
48) Grounding The Great Amp
49) Recording The Great Snare Drum
50) Recording The Great Jam Session
51) Recording The Great Vocal
52) Recording The Not-So-Grand Piano
53) Humidity In The Studio
54) Tonal Variations When Recording Guitar
55) The In's and Out's Of Distribution
56) How I Record Drums
57) Rescuing The Worst Kick Drum Ever
58) Making Great Guitar Tone
59) When Insects Eat Your Studio
60) Getting Live Sounds in the Studio
61) Going Wireless in the Studio
62) Recording Drums in the Studio
|
Date
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5/94
7/94
8/95
9/95
10/95
12/95
12/95
1/96
2/96
2/96
4/96
4/96
5/96
5/96
7/96
8/96
8/96
10/96
10/96
1/97
2/97
4/97
6/97
7/97
8/97
2/98
9/98
3/99
5/99
9/99
5/00
9/00
10/00
11/00
2/01
3/01
4/01
10/01
1/02
3/02
3/02
6/02
11/02
12/02
3/03
6/03
1/04
2/04
9/04
1/05
5/05
6/05
10/05
6/06
6/06
7/06
12/07
2/08
8/08
2/09
3/09
2/11
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"An excellent engineer, who is an excellent
guitarist in his own right, equals a great sounding CD. Being a guitarist, that's the formula I wanted
for my CD’s.... that's why I had
Jon engineer my CD’s." -- Rich
Harper - Rich Harper Blues Band |
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